Resume

Putting Your Best Foot Forward: How to Write a Good Resume Objective to Entice Potential Employers   by Laine McKenna

Aside from a cover letter, your resume objective is the first thing a prospective employer sees. It’s also one of the things people struggle with the most when Creating A Resume because there’s no clear-cut way to do it. It’s highly individual and also dependent on the industry.

When Writing A Resume Objective, you want to make your intent clear about where you’re going in your career and what you hope to accomplish. That means you need to sit down and determine what your goals are as a professional, and align those goals with your prospective company.

For example, if you’re a young journalist looking eagerly looking to get your feet wet, chances are, you’ll be sending your resume out to a television station in a small market. Small markets in small cities frequently attract young journalists who are hungry to start their careers, even if it means earning pennies for their efforts. A sample resume objective for a journalist would read something like this:

“Eager reporter with dynamic, multimedia skill-set and strong desire to write compelling news stories looking to help a small-market television station grow.”

In this Sample Resume Objective, the words “eager” and “dynamic multimedia skill-set” show this is a person who can handle writing, editing, producing, videography, and on-camera reporting, which are traits that small-market news stations with smaller budgets look for. It’s clear the reporter is looking to grow, and in turn, wants to help this television station grow.

By aligning your goals with a company’s goals, you’re creating a vision for your prospective employer of, “here’s what I can do for you, and here’s what we can achieve together.” You shift the focus from being an eager job candidate to the future, where you’re out in the field gathering stories and reporting breaking news.

Also notice the words “eager”, “dynamic,” and “multimedia” stand out in that sentence. Those Resume Key Words were chosen very carefully to not only align you, the prospective journalist, with the goals of news station, but also to shape you, personality-wise, for the type of work reporting entails.

Ask yourself, “What does my line of work entail? What type of personality traits does my field look for? What are the types of job skills employers look for?” In your case, Mr. or Ms. Aspiring Journalist, your youth and inexperience is masked with the word “eager” (always turn a negative into a positive!) and “dynamic” is used to convey your ability to juggle multiple tasks at once. Then an industry-term is used that best describes your capabilities with “multimedia.”

Now let’s create your own resume objective.

First, make a bulleted Skills List for a Resume. Start out with traits that describe you as a person. You can write as many as you want, but keep in mind that you’ll need to narrow this list down to one or two of the best.

Now in a separate column, list your professional skills and capabilities, but only your true strengths. If you’re editing skills need some work, then don’t promote yourself as being a “Final-Cut guru.” Instead, emphasize your writing and storytelling ability, or your ability to connect with an audience.

Now narrow both of your lists down to one or two traits in each column. See if there’s some correlation there between both columns. You may find that your “multi-tasking” abilities directly relate to your ability to single-handedly produce an entire newscast. This may take a few tries, and again, you want to select words that will align you with the company you wish to work for.

Once you’ve chosen your descriptive keywords from both columns, try writing an objective. Keep it one sentence, but don’t stuff it with so many words that the person reading your resume objective is out of breath. Keep it simple, make it effective, just like the rest of your resume.

It may take you a few tries to craft your resume objective into something that reads well and sums up your professional and personal capabilities, but it’s worth it when you can present something uniquely “you” that will entice employers. You want to sell yourself here – that’s really the key. Sell yourself by making a memorable introduction so your prospective employer will want to read on, rather than pass on you.

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Platinum Samples Joe Barresi Evil Drums Sdx For Superior Drummer 2.0 Sample Collection $199 Joe Barresi Evil Drum SDX for Superior Drummer 2.0 Sample Collection from Platinum Samples features 24-bit professionally recorded multitrack drum samples with full bleed and unprecedented detail. Included are 64 drums and cymbals played by Bobby Jarzombek (Halford, Spastic Ink), and MIDI grooves performed by Pat WIlson (Weezer, The Special Goodness). The expansion kit features a total of 6 complete drum sets with 6 extra snares, and 6 extra additional kicks for a total of over 70GB of drum samples recorded with as many as 250 velocity layers.Joe Barresi chose to record the Evil Drums sample library at his two favorite drum rooms, using the exact same recording process he’s used on numerous album projects. With expert use of the studios’ Neve consoles, analog tape, and his own (secret) esoteric sound collection of mic preamps, equalizers, and compressors, Joe has created a diverse sample collection of drum sounds. With individual control of the direct tracks, the stereo room, and the compressed mono room in BFD, it’s possible to create an amazing amount of different styles from the same virtual drum kits.The manufacturer’s included in this drum sample library are Gretsch, Tama, Pork Pie, Ayotte, Drum Workshop, Zildjian/Noble & Cooley, Ludwig, Zildjian, and Paiste. Registered users will have access to a bonus DW Mardis Gras Kick Drum (as available).About Joe BarresiA guitarist since the age of 7, Joe Barresi studied classical guitar and music theory at the University of South Florida and then piano and music engineering at the University of Miami. After graduating from the “U”, he worked his way up the ladder at various recording studios in the L.A. area and eventually worked with well-respected producers including David Kahne (Fishbone, Sublime, k.d. lang), Sylvia Massy (Tool, Green Jëlly, Prince), and Rob Cavallo (Green Day, My Chemical Romance, Switchfoot). Eventually he started working as a mixer on tracks for a diverse lineup of acts, including Kyuss, Hole, Weezer, Bauhaus, and Anthrax. He has engineered albums by Kyuss, Tool, Taking Back Sunday, and L7. And as a producer, he’s worked with the likes of Pennywise, Bad Religion, Coheed and Cambria, and Queens of the Stone Age. 6 DVDs featuring 6 full virtual drum sets with 6 additional kicks and 6 additional snaresOver 70GB of drum samples with up to 250 velocity layersDetail levels much higher than the original BFD libraryHyper-detailed hi-hats and cymbalsDifferent detail levels to better work with your level of RAMMeant to work with Superior Drummer 2.0 sample libraryThe MicrophonesKick inside & outside: Sennheiser 421, Neumann 47 FET, Audio Technica ATM 25Snare top: Shure SM57, Neumann KM86Snare bottom: Shure SM57Hat: AKG 452EB, Neumann KM84Toms: Sennheiser 421, Neumann u87, AKG 414EBOH’s: Neumann u67’s, Violet Amethyst Vintage, Coles 4038’s (pairs)Ride: Neumann KM84, AKG 452EBRoom:Neumann u87’s, Royer 121’s (pairs)Mono room (“PZM”): Neumann m49 tube, Sony C500, Sennheiser 441, Neumann

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